bennickkca (Gość)
| | Wilson Smith III designed the Air Jordan 17. The Air Jordan XVII were pleasantly made, and they came outfitted with a removable mid-foot band, Zoom Air sole, dynamic-fit sleeve, hidden quick lace system, lace-locks, leather uppers and carbon-fiber sheath. One principal essential feature to the Air Jordan XVII was from Jazz music. If you observe them you will notice molded in jazz notes. Also, idea for the footwear once again came from a car, this time being an Aston Martin.
Tate Kuerbis was chief fashioner of the Air Jordan 18. The Air Jordan 18 did not come with a fancy carrying case, or CD (which many of us desired), but they did come with a good slide out box, towel, brush, and an Ą°Air Jordan XVIII DriverĄŻs ManualĄą pamphlet. Inspirations can be seen from different places on the Air Jordan XVIII, for example the Ą°rubber heel wrapĄą genius came from race car driving kicks, the Carbon fiber-based monocoque (F1 race cars), and the bold stitching came from Italian dress shoes, but the overall outlook was from the automobile world (one of MichaelĄŻs puppy love).
Jordan 19 was also designed by Tate. She worked with Jason Mayden, Wilson Smith, Josh Heard, and Suzette Henri. Some admirable qualities of the Air Jordan XIX is a carbon fiber shank plate, phylon midsole, full-length zoom air unit, patent leather toe box, tech-flex upper, Velcro heel strap and plastic lace-locks. Inspiration for the Air Jordan 19 came from the dangerous snake in the world, the black mamba. Never before seen on a basketball footwear was a component called tech-flex. This fabric is used in the automobile industry. Tech-flex is a material which can breadth, and since it is used on the Air Jordan XIX it brought your foot the good feeling you need. |
